Tuesday, April 9, 2013

Furniture Designers within the 1800s

The look and growth and development of furniture within the centuries have been steady and foreseeable. It had been largely affected through the accessibility to materials, and also the altering styles from the eras. Armoires specified for for suits of armour, but later grew to become armoires for clothing. Chairs lost their arms to support wide skirts, and grew to become upholstered and comfy to be along with enter rooms of fashionable ladies.

To quote William Cowper: Necessity invented stools, convenience next recommended elbow-chairs, and luxury the accomplish'd Sofa last.

The 1700s have been centered by fine cabinetmakers for example Chippendale, Hepplewhite and Sheraton, as well as their craftsmanship and fashions continue to be loved and respected today. However, more change was coming within the later area of the 1800s, using the Crafts and arts movement, because it grew to become known, which integrated craft traditions with mass production techniques targeted in the growing mass marketplaces.

Thomas Hope (1769-1831)

Hope was created in Amsterdam, Holland, and was descended from the Scottish group of effective London retailers. At age 18 he started an excursion of Europe, Asia and Africa which greatly affected his later artistic designs. His furniture was at design for 'English Empire' that was based on extravagant and high designs, and that he grew to become an exponent from the Regency type of decorative arts. Like his forerunners before him, he released a magazine of designs in 1807 known as 'Household Furniture and Interior Decoration'.

William Morris (1834-1896)

Morris is really a well-known title today for his legacy of poetry writing and textiles. He introduced heavy floral designs towards the drawing rooms during the day, in glass, wallpaper, textiles, and in furniture. He was connected using the Crafts and arts movement of this time, and the decorative arts firm created "The Eco-friendly Drawing Room" that is displayed today within the Victoria and Albert Museum.

Gustav Stickley (1858-1942)

Stickley started his working existence like a furniture maker and architect. He was an energetic person in the American Builder Movement, like the British Crafts and arts movement. His house designs were innovative, with open floor plans, fitted bookcases and benches and enormous home windows for sun light. He produced their own type of furniture within the 'Mission Oak Style' that was made from American oak. He earned simple, helpful furniture. Sadly the recognition of his designs was short-resided and that he declared themself bankrupt. Perversely, his styles have reached style, together with his simple mission-style furniture reaching high costs at auction today.

Charles Rennie Mackintosh (1868-1928)

Charles Rennie Mackintosh is yet another household title in design today. He was mainly a designer and designer along with a great exponent of Art Nouveau, but his progressive ideas leaking out into his furniture designs. Along with his wife, Mackintosh were built with a great affect on the altering styles in the Crafts and arts movement towards the radical mass-created Art Nouveau types of the late 1800's and early 1900's.

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